艺术家 科莫洛夫 瓦西里·库兹米奇

7.04.1918–6.08.1985

1938年,艺术家联盟成员。

塔沃良卡利佩茨基村,坦波夫省。 参加芬兰战役,伟大的卫国战争。

1937年毕业于坦波夫艺术学院的装饰和装饰系。 1935-1937 坦波夫地区“艺术家”协会成员。

1937-1938 沃罗涅日州集体巡回剧院的艺术家,先锋之家(1938年),Pishevik(1938-1939年)。

自1947年以来,沃罗涅日州“艺术家”地区合伙人。

1952-1954,1963-1965 艺术家联盟地区分部主席。

编剧和专题画作,肖像,景观:“在土星”(1944年),“斯科利尼察”(1948年),“工业景观”(1949年),“转型后”(1954年),“沃罗涅日。 切尔纳瓦桥建于1958年,《荒野闹钟》(1961年),《顿河》(1971年),《旧战коп》(1972年),《农场内》。 年轻的牧羊人(1977年),《石头草原上的森林》(1985年)等。

自1936年起参加地区、地区、共和国展览。 艺术家的个人展览于1948-1949,1960,1968,1978年在沃罗涅日举行。 V. K. Komolov的作品在高棉基金会。 见:瓦西里耶夫A.他的模范艺术家

Vasily Kuzmich Komolov Born in the village of Tavolazhanka, Lipitsky region in 1918, Vasily grew up in a village working family. In 1933 he moved to Tambov in order to attend the art college, where he studied painting and theater design. He graduated in 1937 and moved to Voronezh in 1938. Vasily was quickly accepted into the art community in Voronezh and was accepted the same year into the Voronezh Artist's Union. He was one of the youngest artists to ever be accepted to the Artist's Union.

Most artists work for many years before they are finally elected into the union. In 1940 Vasily , like all young men in Russia at the time, was drafted into the Red Army. During his service in the Great Patriotic War Vasily was shot in the upper leg, sustaining a wound that would plague him for the rest of his life. He was discharged from the army in 1942 and returned to Voronezh to resume his life as a painter. Soon after his return he married another artist, Paulina, with whom he shared his life until his death at the age of sixty six in 1984.

Vasily participated in all major Russian and Soviet exhibitions. In 1968 the Voronezh Artists' Union gave him a personal exhibition. Few artists have the opportunity to do this. The exhibition included the works that had been commissioned by the Kameney Collective Farm in Kalach, famous for its wheat production. These works are rich in color and brilliant in light. Even though Vasily lived in a time when an artist's creativity was controlled by the central government he found a way to speak in his own voice. He mixed the Socialist Realilsm with Russian Impresssionism in a way that no other artist in the Voronezh Region could. He monumentalized everyday Russian life without a sign of pretension. His wife Paulina, a successful artist in her own right, has spent her time since his death promoting his life's work. In 1991 an American art publisher and historian of Russian art mamed Vasily as one of the top three hundred artists in the Soviet Union from 1930 to 1990. Paulina still lives in Voronezh in the same house that she shares with her late husband. Examples of Komolov's work can also be seen in The Dictionary of Russian and Soviet Painters, written by Matthew Cullerne Bown.

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